The best dialect work in New York!

— Leslie (Hoban) Blake, Two on the Aisle

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who is amy stoller? what can she do for you?

Amy Stoller is an award-winning dialect coach based in New York City.

She teaches accents and dialects to performers, and American English speech and diction to non-performers.

If you’re a producer or director, she’ll guide your cast in creating a consistent vocal world in support of your production.

If you’re a performing artist, she’ll help you hone your ability to “suit the word to the action.”

If you work in another field, she’ll help you develop a readily understandable speech that improves your chances of employment or promotion. 

 

 

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frequently asked questions

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  • fundamentals (7 entries)

    • Stoller System, LLC is the name of my business; it doesn’t refer to a methodology.
    • My approach is based on authenticity, modified for comprehension of the local audience and the abilities and comfort of the performer. For non-performers, the first concern is intelligibility to the community ...
    • I am based in New York City. I also coach by Skype, for clients outside of commuting distance to New York. Contact me to learn more.
    • Regular private coaching appointment slots are: Tuesday–Friday, Sunday: 11:30 AM, 2:00, 4:00, 6:00 PM No private coaching on Monday or Saturday. This schedule may change whenever I ...
    • Private coaching for individual clients ranges from $85 to $100 per hour. Please call me at 917-319-7448 if you are interested in other types of coaching, such as film, ...
    • For individual face-to-face coaching, I prefer payment by check or cash (I’ll give you a receipt at time of payment). For Skype or telephone coaching, I will send you an invoice ...
    • I offer classes and workshops on request to acting studios, acting and other departments at colleges and universities, and other sorts of companies which would like them. In the ...
  • learning accents & dialects (8 entries)

    • Dialect refers to a variant form of a language, as spoken by the members of a specific community. The community might be distinguished by geographical region, or perhaps by social class ...
    • It depends on what you need and when you need it. I can help you prepare a new accent for an audition in one to three hours, depending on length of ...
    • My approach is based on authenticity, modified for comprehension of the local audience and the abilities and comfort of the performer. For non-performers, the first concern is intelligibility to the community ...
    • An open mind and a good work ethic are your best friends. For fluency in accents and dialects, it really helps to have a methodical approach to basic skills, ...
    • Accents and dialects I’m most often asked for include : Received Pronunciation (Traditional Upper-Class English, “Standard British”) Contemporary RP/Estuary English (Professional Class) Cockney (London Working-Class) ...
    • Here are some factors to consider: What is your “type”? What accents are most requested currently? What would you ...
    • The International Phonetic Association (IPA) was created in 1886 to advance the scientific study of phonetics and the various practical applications of that science. The International Phonetic ...
    • For private coaching, yes! I encourage you to bring your own recorder; or, if you prefer, to bring a flash drive onto which I can copy any session recording that I ...
  • clientele (5 entries)

    • Yes! Actors I’ve worked with in production or privately include Frances Sternhagen, Colman Domingo, George Morfogen, Jonathan Hogan, Justin Bartha, Laurie Kennedy, Lou Ferguson, Melissa Rauch, Peter Friedman, Rebecca ...
    • Yes! Young actors I have worked privately include Dylan Riley Snyder , Matthew Gumley , Leah Greenhaus , Gabrielle Piacentile , and Bridget Megan Clark . In production: ...
    • Yes, if you are an advanced speaker of English. You must have a good command of grammar, syntax, and vocabulary. I do not teach English as a Foreign Language (EFL, ESL, ...
    • Accent reduction is a term I don’t like,* especially for performing artists. Your speech patterns are a part of you; why would you want to lose them? But if your everyday ...
    • There is no significant difference when I am teaching how to distinguish and pronounce consonants and vowels (the “building blocks” of speech) with precision. Beyond that, it varies from client to ...
  • career (1 entry)